Aubrey's recent reference to the work of painter Maxfield Parrish triggered a memory of another artist's work. It must be something to do with the way they handle light –softly warm– that made my mind put Parrish and South African painter Tertia du Toit together. Otherwise their paintings differ greatly, especially in the dynamics of posing human figures. Anyway, the only way I knew du Toit's work was through, of all things, wine labels!