I was messing around with my recent soft-focused “antique” image of Moon’s Crater Tyco when I discovered a Photoshop sharpening feature I’d never used. I reprocessed the image using that setting and got a “better” result: sharper appearance of the crater itself but with more grain. I think I like this new one better than the one I originally posted. Here they both are: Reprocessed Above / Original Below.
I’ve tried in the past to directly connect a modern DSLR camera to the ca. 1901 Warner and Swasey 9-inch telescope I operate for a small college. Because some original fittings have been lost over the decades and I use an eyepiece adapter a predecessor built, the telescope’s couldn’t be used for focal plane camera operation. Focal plane would have been like using the telescope as a 3,200mm telephoto lens. So I was limited to afocal use — holding the camera with one of its own lenses over the telescope eyepiece and trying to record that image. When it worked afocal photography produced very good, even excellent results for the Moon; dim objects could not be handled that way.
Recently it occurred to me that I hadn’t tried eyepiece projection: using a special adapter to hold an eyepiece, connect to the telescope and camera, and project the eyepiece image on to the camera’s image sensor. I scrounged around and found and eyepiece projection adapter in pieces, put it back together and, trying it last night, got interesting results. On this first try with the vintage scope the images all came out in soft focus with details at the center of the image somewhat better than those surrounding it. The overall effect is, I think, quite artistic.
I’ll keep trying with that old scope, with my own new telescope as well, to try and get sharp images but, for now, we have some lovely lunar art!
It surprised me. We were expecting rain and thunderstorms but the approaching weather looked disorganized and “wet” — that is, plenty of rain leading the way and blocking views of the storm clouds. Suddenly I got indications from observers to my west that something was cooking, so I fired up my radar access and saw a well-defined monster of a storm approaching. I grabbed a camera and headed out, knowing I couldn’t get far before meeting the storm.
Finally getting through town and out into the countryside, I saw on the horizon hints of the approaching line. I quickly located a farmer’s field access path and pulled off. I got there just in time to watch the shelf cloud develop, roll toward me, and pass overhead.
As the ominous clouds passed overhead, I knew to what to watch for: torrential rain! I strolled to my car as the wind began to rise, got in, and enjoyed the arrival of the downpour from dry, air conditioned comfort!
This was possibly the most impressive shelf cloud I’ve seen; bear in mind I don’t chase in the Great Plains. I nearly missed this one and, as it turns out, I grabbed the wrong camera — could have done with the wide-angle lens left behind!
Thanks to the unnamed property owner who drove over to see what I was doing and generously allowed me to stay put on her drive!
I love shooting shelf clouds — clouds that form a line or arc along the leading edge of a gust front in a thunderstorm. They are awe-inspiring, scary, to me they’re just beautiful in their power rugged symmetry. I’ve looked at clouds from both sides now (apologies to Joni Mitchell) and discovered something at least as impressive; clouds of chaotic shards and pieces, tumultuously flowing together as a mass. I saw this configuration with a severe thunderstorm that dropped a tornado a few weeks ago, and I saw it again today in another severe thunderstorm — after the shelf cloud passed. I still love photographing shelf clouds (called “shelfies”, a twist on self-portrait “selfies”) but…
May and June bring stormy weather and stormy weather often means dramatic skies. The evening of June 1 saw strong storms moving across Northeastern Ohio and when I saw an outflow boundary showing up strong and clear on radar, I headed out to see what was happening. I had not driven very far when I reconsidered my original observing destination and headed for the nearest open area I could find. Sweeping toward me over the treeline was a very impressive line of cloud; the line was so long I quickly shot several images using my trusty iPhone SE with the idea in mind of creating a multi-panel panorama later.
Once the outflow boundary rolled over me, I continued my trip seeking the cleanest storm edge I could find; several appeared to be headed my way but the line of storms seemed to be changing direction. After a good bit of moving around, I decided to head to the Wellington area in Lorain County as my best chance at a storm intercept. I discovered a farmer’s field access drive off a rural road and waited, surrounded by open fields, for the weather to come my way. And I waited. And waited. While I waited I photographed the changing cloudscape and wound up with my favorite view of the day — the last light illuminating a field as stormy clouds closed in. A complex and brilliant bolt of persistent Cloud to ground lightning convinced me my time in the open was done. Not set up for lightning photography, I watched from inside the car for a bit and headed into rain and home.
On a visit to Northwest Ohio yesterday (May 30) I stepped outdoors, looked to the west and spied a beautiful sight… the ragged edge of a line of clouds in the distance.
I strolled out, beyond a treeline to get a better look and saw an impressive gust front running ahead of cold air rolling over the area! I quickly shot a series of photos of the scene using my iPhone but realized my big Canon DSLR camera was in the car. I quickly retrieved the Canon and returned to my vantage point.
Seeing how quickly the line was moving, I race-walked seeking a different view and shot a few more photos before rain drops warned me I’d better get to shelter.
Normally I drive miles to intercept phenomena such as this gust front but this time it came to me — a surprise but a convenience — saving me the trip!